1. In Sequart News, My Look at Miracleman Starts Today
Today, my introduction to Miracleman, "Why Miracleman Matters," is up on Sequart Research & Literacy Organization! It's the public beginning of something I've been working on for maybe half a decade: a major, book-length analysis of Miracleman. If you don't know why this is such a big deal, please read and find out. I hope you'll enjoy it and tell strangers about it.
If you haven't heard, I also hosted Sequart's first podcast. The second podcast, in which I'm a mere guest, went live yesterday (New Year's).
One week ago, I continued my look at Frank Miller's Holy Terror (though I haven't mentioned, on my blog, this third article yet).
2. In Martian Lit News, More The Many Lives of Yelena Moulin
Over on Martian Lit, the third chapter of The Many Lives of Yelena Moulin went live today as well. It's aggressively punchy, uber-smart sci-fi accompanied by original art from the great Doug Smock. How fucking cool is that?!? You owe it to yourself to check out this great work of new fiction.
Also my book Watching People Burn, which examines the Bath school disaster, is now available on CreateSpace and Amazon. It's the brutal true story of an act of domestic terrorism by an anti-tax extremist in rural Michigan in 1927. Oh yeah, and it blew up a grade school. What the fuck? Yep, all true. And the book's only $9.99.
Showing posts with label Doug Smock. Show all posts
Showing posts with label Doug Smock. Show all posts
Monday, January 2, 2012
Monday, December 19, 2011
Busy, Busy, Busy
First, book news! Martian Lit has announced Watching People Burn, my fictional account of the Bath school disaster. It has also announced my novel, Nira / Sussa, which took over a decade to write. Both couldn't mean more to me. Here are their covers:
Second, Martian Lit published the second chapter of my The Many Lives of Yelena Moulin today, accompanied by art by Doug Smock (see image at right). It's punchy sci-fi, where every chapter has a twist or a mind-bending idea of some sort.
Finally, my second article on Frank Miller's Holy Terror is up on Sequart. It focuses on the introductory sequence as a key to understanding the text.
Second, Martian Lit published the second chapter of my The Many Lives of Yelena Moulin today, accompanied by art by Doug Smock (see image at right). It's punchy sci-fi, where every chapter has a twist or a mind-bending idea of some sort.
Finally, my second article on Frank Miller's Holy Terror is up on Sequart. It focuses on the introductory sequence as a key to understanding the text.
Thanks for reading! And please, if you like anything, consider sharing them through social networking sites. Many thanks!
Monday, December 5, 2011
Martian Lit Launches Weekly Content
Martian Lit, a new company that publishes offbeat fiction, poetry, and non-fiction, has gone live with weekly content.
The internet's got a lot of literary magazines, and it's easy to get lost in the shuffle. Martian Lit is dedicated to publishing quality work that's different. It has a great team behind it, great web design, a bizarre "About Us" page and backstory, and original art to accompany every piece that's not non-fiction.
This last point makes a huge difference in terms of making literary content visually pleasing and accessible. Online, we're used to reading quickly, and the kind of focus that literature requires can be hard to achieve, especially with email and games and everything else just a click away. Artwork is one of the few remaining ways of providing online readers with a beautiful, immersive experience. And we couldn't have better artists working for us.
The website will be running content weekly. My own serialized novel, The Many Lives of Yelena Moulin, will run biweekly. Its first chapter is up right now, with art by the immensely talented and professional Doug Smock (art at right).
We're also going to be publishing books. In fact, we have already announced our first book, my own Watching People Burn.
Let me close by saying that Martian Lit is very dear to my heart. It's something I've been working on for half a year -- and conceptualizing before that for (no kidding) a year and a half. Of course, Sequart's incredibly dear to me too, and the bulk of my time goes to Sequart. But I (and many involved with Sequart) also have a creative side that doesn't fit with Sequart's mission statement. Martian Lit's there to provide that, and I'm crossing my fingers and hoping against hope that if we run Martian Lit with the same concern for quality that we've brought to Sequart, we just might buck the trends and create something that's both literary and successful. Thanks in advance for being a part of that dream, even if it's just reading or forwarding a link now and then. It means the world to me.
The internet's got a lot of literary magazines, and it's easy to get lost in the shuffle. Martian Lit is dedicated to publishing quality work that's different. It has a great team behind it, great web design, a bizarre "About Us" page and backstory, and original art to accompany every piece that's not non-fiction.
This last point makes a huge difference in terms of making literary content visually pleasing and accessible. Online, we're used to reading quickly, and the kind of focus that literature requires can be hard to achieve, especially with email and games and everything else just a click away. Artwork is one of the few remaining ways of providing online readers with a beautiful, immersive experience. And we couldn't have better artists working for us.
The website will be running content weekly. My own serialized novel, The Many Lives of Yelena Moulin, will run biweekly. Its first chapter is up right now, with art by the immensely talented and professional Doug Smock (art at right).
We're also going to be publishing books. In fact, we have already announced our first book, my own Watching People Burn.
Let me close by saying that Martian Lit is very dear to my heart. It's something I've been working on for half a year -- and conceptualizing before that for (no kidding) a year and a half. Of course, Sequart's incredibly dear to me too, and the bulk of my time goes to Sequart. But I (and many involved with Sequart) also have a creative side that doesn't fit with Sequart's mission statement. Martian Lit's there to provide that, and I'm crossing my fingers and hoping against hope that if we run Martian Lit with the same concern for quality that we've brought to Sequart, we just might buck the trends and create something that's both literary and successful. Thanks in advance for being a part of that dream, even if it's just reading or forwarding a link now and then. It means the world to me.
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